Sophocles
Collection
Cautionaries are simply edits to the original content for the purposes of improving the usability and clarity of the informatic design. Edits should focus on identifying the framework of the original content in its entirety, including redundant messages of cultural or legal significance. The following edits were made to the content to improve the framework:
- Words were stemmed.
- Stop Words were used.
- The Stop Word List
- The Reasoning Behind the Selection - These words are of high frequency, non-unique generality. They are simply removed to clarify the content, of a more unique terminology, during the analytic stage of modeling. There are other words that could be included or excluded, as the method of removal isn’t intended to be exact. However, the terms should be non-unique, of high frequency, and fully disclosed to users of the informatic model. That is, these terms after the analytic stage are returned to the informatic model in developing the networks, layering, directionality, and detailing of the model.
Specific Cautionaries
The following cautionaries are more specific to the Sophocles - Collection:
- There were a large variety of numbers and number-letter combinations that marked news sections. All numbers, letter-number combinations not constituting words or abbreviations were removed after the analytic modeling stage. Some low-frequency of numbers meshing with words were removed as well. All combinations were removed to improve the usability and clarity of the content being modeled informatically.
- No words were removed, other than what is listed on the Stop Word list. These words were removed only for the framing and analytic stages. Words are returned during the network, layering, and detailing stages of modeling.
- Errors involving the content, such as conversion errors of words are not edited and will remain transparent to viewers of the model. The focus is on developing trust through process and procedure, not through avenues easily manipulated, such as finely-threaded performances of perfection and cosmetic appeal. Exceptions will be listed in the "specific edits" section.
- Split words that are merged back together, if any, will be listed in specific edits.
"Page" Removed (refers to page #, not work of sophocles)
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str. ant. = Removed
The terms "strophe", "antistrophe", and "epode", used in Svarlien's translations of Pindar, are fairly technical. (In fact, you do not really need to understand them for this course.) Some of you, however, have expressed an interest in the terms, and it may therefore be legitimate to present a brief discussion of them especially since some use of a pattern of strophes and corresponding antistrophes was made in the choral sections of all Greek plays. (In the translations in H & P, however, only the Cook and Fitts & Fitzgerald translations of Sophocles utilize this terminology.) On the other hand, the term "epode" is more limited, occurring principally just in the odes of Pindar and comparable epinician poets.
"Strophe" and "antistrophe" are ways of referring to the metrical or rhythmical pattern of a text which was originally sung. Basically, the antistrophe picks up the pattern of the strophe, more or less as the melody and rhythm of the first "verse" of a modern song is picked up in the second "verse", and then in the third "verse", etc. In fact, one could print the words of the antistrophe in Pindar, Olympian 1 directly underneath the words of the corresponding part of the strophe, as follows. (Variation in word order between Greek and English, though, renders this a bit artificial):
http://www.pitt.edu/~edfloyd/Class1130/strophe.html
el = Removed
ch = Removed
ph = Removed
teu = Removed
oe = Removed
tec = Removed
ism = Removed
chrys = Removed
o.m. = Removed
hyl = Removed
ne = Removed
aj = Removed